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Nuevo tango

Tango Nuevo (Nuevo Tango, Neotango or simply Nuevo) - either a form of music in which new elements are incorporated into traditional Argentine tango, or an evolution of tango dance that began to develop in the 1980s. Tango Nuevo music and dance are examples of constantly changing forms of Argentine tango.




Prior to the 1990s, Argentine Tango was taught with a didactic method; teaching tango by having students copy examples shown by the instructor. Emphasis was not given to how or why movement was done a certain way. Starting in the 1990s in Buenos Aires, the Tango Investigation Group (later transformed into the Cosmotango organization) founded by Gustavo Naveira and Fabian Salas applied the principles of dance kinesiology from modern dance to analyze the physics of movement in Argentine tango. Taking what they learned from this analysis they then began to explore all the possibilities of movement within the framework of Argentine Tango. From the work of these founders of the Tango Nuevo movement, there was shift in all styles of tango away from teaching what to dance toward teaching how to dance.

Though widely referred to as a tango style outside of Argentina, Tango Nuevo is not considered a style of dancing tango by the founders of the movement. It refers only to the method of analysis and teaching developed through the application of the principles of dance kinesiology to Argentine Tango. In 2009, Gustavo Naveira published an essay New Tango in which he states, "There is great confusion on the question of the way of dancing the tango: call it technique, form, or style. The term Tango Nuevo, is used to refer to a style of dancing, which is an error. In reality, Tango Nuevo is everything that has happened with the tango since the 1980s. It is not a question of a style... The words Tango Nuevo express what is happening with tango dancing in general; namely that it is evolving."[1] Therefore, as Gustavo Naveira and the other founders of the Tango Nuevo movement have said, all styles of tango, which have now been influenced by the analysis of the dance, are all Tango Nuevo.

Despite the insistence by the founders of the Tango Nuevo movement that it is not a single style, it has become an accepted term by many that it is a separate and distinct style of tango. Considered by many as the most famous practitioners of tango nuevo are Gustavo Naveira, Norberto "El Pulpo" Esbr s, Fabi n Salas, Esteban Moreno, Claudia Codega, Sebastian Arce, Mariana Montes, Mariano 'Chicho' Frumboli, and Pablo Ver n. All of these dancers have highly individual styles that cannot be confused with each other, yet are all referred to by many as the tango nuevo style.

Critics of what some call the tango nuevo style claim that with all the emphasis being on the physics of the dance, that the connection to the music, the feeling, and the traditions of Argentine Tango have been lost to the newer generations of tango dancers. Referring to the newer generations of Tango Nuevo dancers, one of the founders of the Tango Nuevo movement, Mariano 'Chicho' Frumboli stated in an interview, "They are completely lost! I learned with the last great milongueros, I took the information directly from them... The problem is that we missed something in the teaching, I take total responsibility, and other colleagues should do so as well. I can t pass on what I have learned. I was crazy about creating, because I saw a new vein in the evolution of the movement. I threw myself into that, and I lost the way to be able to pass on the tango essence that I have very much inside. Because of this I feel that lately there are a lot of people who don t understand or know what the real essence of this dance is."[2]

Critics of Tango Nuevo also say there is little difference in the way it is practiced than Show Tango. In an interview, Mariano 'Chicho' Frumboli said, "Today you do a volcada and a colgada and it is the same because they are there, commercially speaking, in the same package. Then, between doing a sandwichito or a volcada people do a volcada! Because it s more eye-catching... They are not going to make a sandwichito to enjoy that moment, but whatever shows them more and better."[2]

In July 2009, Gustavo Naveira wrote about Nuevo tango:

Elements of tango nuevo dance

File:Homer tango linear voleo.jpg|Linear voleo File:Homer tango sentada.jpg|Sentada File:Homer tango volcada close.jpg|Volcada lead from close embrace File:Homer tango volcada open.jpg|Volcada lead in open embrace By the late 2000s, the Tango Nuevo dance included many improvised and led dance moves from Argentine tango. These new elements of tango are not characterized only by the type of embrace but include off-axis moves, playfulness, attention to rhythm and melody, emphasis on greater improvisational skill of woman in dance to name just a few attributes. Some dancers began to adopt elements of other dance forms such as salsa, ballroom and swing.


One of the recent examples of the tango nuevo music was the incorporation of jazz and classical music into tango music. The most important composer of this style was stor Piazzolla who revolutionized tango in the 1950s by introducing new instruments such as the saxophone and electric guitar, and who brought new forms of harmonic and melodic structure into the traditional tango ensemble. Tango nuevo includes the fusion of electronic and acoustic sounds. Some examples of tango nuevo music artists are Tanghetto, Bajofondo, Electrocutango, Gotan Project, Nuevo Tango Ensamble, Ensemble Montr al Tango, Narcotango (album by Carlos Libedinsky), Rodrigo Favela (Latin Tango) and Pablo Ziegler.


Notes and references

de:Tango Nuevo eo:Nova tango fr:Tango nuevo it:Nuevo tango ka: nl:Tango nuevo no:Neotango pl:Tango nuevo sv:Tango nuevo

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