The culture of Estonia combines an indigenous heritage, represented by the country's Uralic national language Estonian, with Nordic cultural aspects. Due to its history and geography, Estonia's culture has been influenced by the traditions of the adjacent area's various Finnic, Baltic, Slavic and Germanic peoples, as well as by cultural developments in the former dominant powers, Sweden and Russia. Traditionally, Estonia has been seen as an area of rivalry between western and eastern Europe on many levels. An example of this geopolitical legacy is an exceptional combination of multiple nationally-recognized Christian traditions: Western Christianity (Catholic, Protestant) and Eastern Christianity (Orthodox Church). The symbolism of the border or meeting of east and west in Estonia is well illustrated on the reverse side of the 5 krooni note. Like the mainstream cultures in the other Nordic countries, Estonian culture can be seen to build upon ascetic environmental realities and traditional livelihoods, a heritage of comparatively widespread egalitarianism arising out of practical reasons (see: Everyman's right and universal suffrage), and the ideals of closeness to nature and self-sufficiency.
Though the written Estonian language could be said to have existed since Jacob Johann K hler translated the New Testament into Estonian in the 18th century, few notable works of literature were written until the 19th century, which saw the beginning of an Estonian national romantic movement. This prompted Friedrich Robert Faehlmann to collect Estonian folk poetry, and Friedrich Reinhold Kreutzwald to arrange and publish them as Kalevipoeg, the Estonian national epic. That era also saw the rise of other poets and novelists who wrote in Estonian, notably Lydia Koidula.
After Estonia became independent, there was a movement of modernist writers, most famously Jaan Kross. The second World War prompted a repression of national interests. Literature in modern Estonia is in a healthy state, with detective stories in particular enjoying a boom in popularity.
A moment before the opening of the 25th Estonian Song Festival (2009) at the Tallinn Song Festival grounds. Despite its relatively short history of art music, Estonia today is well respected for its musicianship, with the quality education of classical musicians having produced a high proportion of world-class conductors and singers. Estonian art music came to the forefront as a part of the national romantic movement.
Modern Estonian popular music has also received attention abroad, especially on the rock and metal scenes, with bands such as Vanilla Ninja and Metsat ll, and composers as Arvo P rt, gaining international acclaim.
The Art Museum of Estonia was founded on November 17, 1919, but it was not until 1921 that it got its first permanent building the Kadriorg Palace, built in the 18th century. In 1929, the palace was expropriated from the Art Museum, in order to rebuild it as the residence of the President of Estonia.
At present, there are five active branches of the Art Museum of Estonia: the Kadriorg Art Museum (Kadriorg Palace and Mikkel Museum), the Niguliste Museum, the Adamson-Eric Museum, the Kristjan Raud House Museum, and the KUMU Art Museum.
The Theatre of Estonia dates back to 1784, when August von Kotzebue founded an amateur theater company in Tallinn. Most of the plays at the time were comedies for the amusement of the local Baltic German nobility. In 1809, a professional theater company was established with its own building in Tallinn. The repertoire was mostly in German, but plays in Estonian and Russian were also performed.
After centuries of the serfdom that the native Estonian population had fallen into since the Livonian Crusade, serfdom was finally abolished in Estonia in 1816. The first native Estonian musical society, Vanemuine was established in 1865. Lydia Koidula's The Cousin from Saaremaa in 1870, staged by the Vanemuine society, marks the birth of native Estonian theater.
The Vanemuine society was headed by August Wiera from 1878 to 1903. In 1906, a new building was erected for the society, and Karl Menning became director of the theater company. Plays by Western writers such as Henrik Ibsen, Gerhart Hauptmann, Russian Maksim Gorky, and Estonians August Kitzberg, Oskar Luts and Eduard Vilde were staged.
The Estonia Theatre is an opera house and concert hall in Tallinn, Estonia. It was built as a national effort led by Estonian society in 1913, and was opened to the public on August 24. At the time, it was the largest building in Tallinn.
In 2004. there was 20 theaters in Estonia. 46% of the urban population and 40% of rural population visited theaters in 2009.
Cinema and broadcasting
The film industry in Estonia started in 1896, when the first "moving pictures" were screened in Tallinn. The first movie theater was opened in 1908. The first local documentary was made in 1908 with the production of a newsreel about Swedish King Gustav V s visit to Tallinn. The first Estonian documentary was created by Johannes P suke in 1912, followed by the short film Karujaht P rnumaal (Bear Hunt in P rnumaa) in 1914.
The first full-length feature film was made in 1924, Shadow of the Past directed by Konstantin M rska. Theodor Luts, Noored kotkad (Young Eagles) (1927) is generally regarded as the cornerstone of Estonian cinema.
In the 1960s, the story of Prince Gabriel, by Estonian writer Eduard Bornh he, was turned into a movie script by Arvo Valton. Grigori Kromanov was named as the director of Viimne reliikvia (The Last Relic), released in 1969 by Tallinnfilm.
In 1997, the Estonian Film Foundation was founded by the Estonian Ministry of Culture. In 2007, about 10 feature films were made in Estonia, notably S gisball (2007) by Veiko unpuu, receiving, among other awards, Best Director at the Thessaloniki Film Festival and International Film Festival Bratislava, and the Venice Horizons Award at the 64th Venice International Film Festival. Georg (2007), by Peeter Simm, is a movie about the life of legendary Estonian singer Georg Ots.
The most successful Estonian animation director has been Priit P rn, winner of Grand Prize at the Ottawa International Animation Festival in 1998, for Porgandite (Night of the Carrots).
Estonian Television (Eesti Televisioon or ETV) is the national public television station of Estonia. Its first broadcast was on July 19, 1955, and it celebrated its 50th anniversary on July 19, 2005.
The University of Tartu at Christmas. The history of formal education in Estonia dates back to the 13th to 14th centuries, when the first monastic and cathedral schools were founded. The first primer in the Estonian language was published in 1575. The oldest university is the University of Tartu, a member of the Coimbra Group, which was established by the Swedish king Gustav II Adolf in 1632. In 1919, university courses were first taught in the Estonian language.
Today, education in Estonia is divided into general, vocational and hobby education. The education system has four levels, which include the pre-school, basic, secondary and higher education. A wide network of schools and supporting educational institutions has been established. The Estonian educational system consists of state and municipal, public and private educational institutions. There are currently 589 schools in Estonia.
Bengt Gottfried Forselius (ca 1660-1688) was the founder of public education in Estonia, author of the first Estonian language ABC-book, and creator of a spelling system that made the teaching and learning of Estonian easier.
Way of life
The area of modern Estonia has historically been inhabited by the same people as today, mostly speakers of Estonian, but some minorities, such as Russians, have immigrated more recently. Before the Great Northern War, Estonia was considered as on the periphery of the Swedish empire, then it was incorporated into the Russian Empire (and later the Soviet Union). Although it was ruled at times by both Sweden and Russia, and while the Baltic Germans who governed Estonia enjoyed considerable autonomy with the administrative language being German, the indigenous population retained their native language and culture.
The formation of a more defined Estonian cultural identity in the modern sense was accelerated in the 19th century, during the period of overall national Romanticism and Nationalism in Europe. Support from the German-speaking Estophiles in upper strata of Estonian society for a separate Estonian identity led to the Estonian Age of Awakening.
Today, Estonian society encourages equality and liberalism, with popular commitment to the ideals of the welfare state, discouraging disparity of wealth and division into social classes. The Protestant work ethic remains a significant cultural staple, and free education is a highly prized institution.
The traditional occupation of Estonians, like most Europeans, is agriculture. Until the first half of the 20th century, Estonia was an agrarian society, but in modern times, Estonians have increasingly embraced an urban lifestyle. Nonetheless, many Estonians maintain a fondness for a rural lifestyle close to nature, and it is a very typical practice to visit a summer cottage in the countryside during vacations.
Estonian family life is nowadays centered around the nuclear family. Members of an extended family typically live apart, and youths seek independence and typically move from their parents' residence around the age of twenty.
The divorce rate is close to 60%. Estonia has one of the greatest percentages of single parents in Europe. The average percentage of single parents in Europe is 13% (2009), while in Estonia in 2000, 19% of the families with children under 18 had only one parent. In 2006, the percentage fell to 16%. The decline may be affected by the overall decline in birth rate.
Festivities, holidays, and traditions
Estonian holidays are mostly based on the Western Christian calendar and Protestant traditions.
Notable among these is Jaanip ev, the Estonian Midsummer, which involves seeking one's way to non-urban environments, burning large bonfires, and participating in the drunken revelry of Jaani htu. The midsummer traditions also include different versions of pairing magic, such as collecting a number of different kinds of flowers and putting them under one's pillow, after which one is meant to see one's future spouse in one's dreams.
The Estonian Christmas, J ulud, is generally in line with the Northern and Central European traditions of Christmas trees, Advent calendars, and traditional meals, involving a number of dishes that are typically only eaten on Christmas. Christmas is the most extensive, appreciated, and commercialized holiday in Estonia. The Holidays start from December 23rd, and continue through Christmas Eve (24th) and Christmas Day (25th). In schools and in many workplaces, vacation continues until New Years Day.
Estonian Independence Day is the 24th of February and a national holiday.
Food and drink
Estonian red currant kissel. Historically, the cuisine of Estonia has been simple peasant food, which today is influenced by many countries, thus including many typical international foods. The most typical foods in Estonia are black bread, pork, potatoes and milk-related products. Estonians themselves have considered blood sausage (verivorst) and sauerkraut as the "typical Estonian foods", but these are mostly eaten during Christmas.
- Estonian Song Festival
- Architecture of Estonia
- Sport in Estonia
- Estonian mythology
- Public holidays in Estonia
- Estonian cuisine
- Religion in Estonia
Notes and references
et:Eesti kultuur es:Cultura de Estonia fr:Culture de l'Estonie nn:Estisk kultur pt:Cultura da Est nia ru: